lou marini king tut
For someone who is so highly regarded as a Blues/R&B player, his approach is much more ‘outside’ than you would expect (harmonically) This solo is no exception. Live performance of "King Tut" by Steve Martin, "The Lost Vikings (Genesis) - Part 5 (Egypt, QCKS, PHR0, C1R0, SPKS)", "The Surprising Revolt at the Most Liberal College in the Country", "Top Singles - Volume 29, No. Is it any wonder Marini’s arrangements and compositions display influences from the work of his heros? "Swearin' to God" is a song written by Bob Crewe and Denny Randell. The single, from the group's self-titled album, went to number one on the Easy Listening chart for one week, and peaked at number 13 on the Billboard Hot 100. Contrasting, yet notable icons he has also performed with include Eric Clapton Smokey Robinson, Jose Carreras, Lou Rawls, The Supremes, Dr. John, Four Tops, Sting, and Tina Turner. By the time Lou Marini emerges from the tomb, painted in gold, to deliver the song’s saxophone solo, the instant appeal of the tune is clear. No stranger to film, Lou Marini enjoys a formidable roster of success in this arena, too. "What You Won't Do for Love" is a song by American singer-songwriter Bobby Caldwell. It became a major hit for Roberta Flack in 1991. Martin had brought the song to the show and asked if he could perform it, not expecting the production that occurred—producer Lorne Michaels put everything behind it. Often referred to as an “unsung jazz hero,” platinum recording artist, Lou Marini, Jr. is the seasoned soul and adept multi-instrumentalist, arranger, composer, educator, and producer credited with inspiring the origins of a fan-following cult across multiple genres of music. He has toured four times each with James Taylor’s Band of Legends and the John Tropea Band. Known as “Double-Dad” by his granddaughter Alaina, Blue Lou’s son performed with him in Tuscany during the summer of 2010. Making a name for himself as a sideman in various high profile groups, any top New York jazz musician will tell you he’s “one of the absolute best jazz musicians.” The New York based Marini is famed for his chameleon-like adaptability to imagine and perform inventive ideas in jazz, rock, blues and classical music. Martin’s voice is distinctive, and when he launches into lines about the mummified man’s disbelief at becoming a tourist spectacle, the vocals practically drip with the comic’s sense of ridiculous bravado. Watching the live performance, it quickly becomes clear that the spectacle of Martin the comedian is inextricable from the success of the song. Location: Portland, Oregon. "King Tut" is a novelty song performed by Steve Martin and the Toot Uncommons (actually members of the Nitty Gritty Dirt Band). mike65!, Mar 27, 2011 #27. It is a ballad about a woman in an abusive marriage. "Take It Easy on Me" is a song by Australian soft rock band Little River Band, from the album Time Exposure. Martin and the Steep Canyon Rangers later recorded the song in a bluegrass version for their 2011 album, Rare Bird Alert . The song appeared on their 1974 album, Road Food. Canadian pop group The Original Caste first recorded it in 1969 for both the TA label and its parent Bell label. Dubbed ‘Blue Lou’ by Dan Akroyd, he is also well-recognized for his saxophone solos at the open and close of SNL episodes, and as the golden pharaoh who plays a solo instrumental hit for comedian Steve Martin’s “King Tut” sketch on a 1978 episode It became a gold record and then eventually a platinum record. It was recorded by Frankie Valli and released in May 1975 as a single from his album Closeup. A true blue lover of big bands, Lou has had the honor of performing with some of his childhood idols such as Thad Jones-Mel Lewis and the Buddy Rich Band, the latter with whom he also arranged. "Think It Over" is a 1978 song by Cheryl Ladd. Club writers sing the praises of songs they know well. The recording, a mid-tempo disco-styled pop tune featuring strings and horns, had its greatest impact in North America, where it was issued as the album's lead single in May 1977 to reach number 10 on the US Hot 100 in Billboard magazine that August. 10.30.1976 "Life is a Carnival", "The Night They Drove Old Dixie Down", "Stage Fright" In 2010 the Marini’s were honored by the school, when they received the ‘Distinguished Fairless Falcon Award’ given to Blue Lou and his late father. On the Adult Contemporary singles charts, "Love or Let Me Lonely" went to #9. Marini, Jr. carries on the tradition of education previously started by his father. The high profile cultural icon, Blue Lou Marini has recorded on numerous albums, many of which went platinum. The song features a whistler, as well as Jamaican instruments to illustrate the section called "Montego Bay," in a calypso genre. The ever-present influence of Lou Marini, Jr. is all around you. Released as a single on October 13, 1969, it was a successful follow-on to "Sweet Caroline", reaching #6 on the U.S. pop singles chart by December. The song was written by band member Graeham Goble and produced by British record producer George Martin. Steve Martin, “King Tut” (1978) “King Tut” is the epitome of the novelty hit. “King Tut” is the epitome of the novelty hit. Overall, this unconventional, yet accessible, collection trans-ports the listener at warp speed into the future, fusing contemporary jazz, fusion, rock, straight-ahead jazz, rap and hip hop. In the master tape of the song, Bloom breaks into a chorus of "Oh, What a Beautiful Mornin'" at the end of the recording. The song was a Top 10 hit for Bloom in the Fall of 1970 on both sides of the Atlantic. He was great on Colbert last week too. "Clap for the Wolfman" is a song written by Burton Cummings, Bill Wallace, and Kurt Winter and performed by The Guess Who. The song is the subject of an analysis in Melani McAlister's 2001 book, Epic Encounters: Culture, Media, and U.S. Today, Blue Lou’s singular, expressive voice achieves virtuosity in his first collaborative recording with Misha Segal titled “The Blue Lou & Misha Project - Highly Classified.” His third album as a leader, Marini defines a cutting-edge, urban cool jazz vibe that revolutionizes the soundscape with edgy concepts and cliche-free tones. This time, a solo from the legendary “Blue” Lou Marini. "Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by The Association. One complained that the gold face of the saxophone player was a racist exhibition of blackface. King, Luther Vandross, Lou Reed, Brecker Brothers, Dr. John, Donald Fagan, Eddie Palmieri, Jimmy Buffet, Frank Zappa, John Tropea, and Steely Dan. [5] It spent four weeks at the number-one position on their chart during the time the Tut exhibition was on display at the Field Museum of Natural History in downtown Chicago. "What the World Needs Now Is Love" is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. He truly is one of the industry’s most prolific luminaries who demonstrates a tireless commitment to his craft. [2] Martin previewed the song in a live performance during the April 22, 1978 episode of Saturday Night Live . 2 on the R&B chart, No. 14 on the Adult Contemporary chart. Starship's original version became a Top 10 hit on the U.S. Billboard Adult Contemporary chart, reaching number nine in the spring of 1988, and also charted minorly in Canada. In the book Saturday Night: A Backstage History ofSaturday Night Live, authors Doug Hill and Jeff Weingrad write that the sketch was one of the most expensive productions the show had attempted up to that point. Thanks in part to his appearances on Saturday Night Live, Martin was transitioning from a club comedian to that rare level of stand-up who could sell out an amphitheater. The new disc is great all the way through, just like his last one. Lead vocals were provided by Alex Chilton. "One Tin Soldier" is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Though Steve Martin was always an accomplished banjo player, in the late ’70s the comedian was at the height of his “wild and crazy guy” persona. "Holly Holy" is a song written and recorded by Neil Diamond with instrumental backing provided by the American Sound Studio house band in Memphis. Masterful compositions and arrangements combine with smooth rap rhythms and hints of humor. Lou and the other band members tour worldwide, giving live concerts to packed houses and hundreds of thousands screaming fans. The songs feel both timeless and very much of its time. Warfield Goodbye Porkpie Hat - Charles Mingus arr. As a single by Cooper, it was released as just "Only Women". His sound and his approach are instantly recognizable. "You Made Me Believe in Magic" was the Bay City Rollers' third US Top 10 hit; the follow-up single "The Way I Feel Tonight" (#25) would mark the group's final Hot 100 appearance. Pop culture obsessives writing for the pop culture obsessed. He has arranged for Stan Kenton, and been on the faculties of both the Stan Kenton Camps and National Stage Band camps. It was released as a single in 1978, sold over a million copies, [1] and reached number 17 on the Billboard Hot 100 chart. About a decade prior to SNL, Marini’s sound was beginning to form at the University of North Texas (UNT). [3] It is also referenced in a dialogue in the video game The Lost Vikings (1992) at the end of one of the Egyptian themed levels of the game. Simultaneously satirical and celebratory, indelibly mocking and undeniably fun, “King Tut” rolls through every popular style at the time: “Disco Tut,” “Funky Tut,” and “Rockin’ Tut” are all name-checked by Martin and his backup singers. It reached #4 in Canada and #6 on the Billboard Hot 100 in 1974. In 2017, students in a humanities class at Reed College in Portland, Oregon, protested the inclusion of the Saturday Night Live performance in their coursework, calling it an example of cultural appropriation while demanding its removal. Warfield Sweet Home Chicago - Robert Johnson arr. It was released as a single from her eponymous debut album. [4]. The song is often mistakenly presumed to be about menstruation, and that has limited its play on radio and in other public forums. Unlike “The Monster Mash,” say, or “Tiptoe Through The Tulips,” the song wasn’t even written by a man who had any designs on music star success.


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